How do particular shots, scenes, cinematic elements, andsounds from this 1950s SF Horror cycle persist in more recent horror filmmaking? What might these discursive connections mean?

Watch these two film, ” The War of the Worlds (1953), directed by. Byron Haskin &amp.

What does this film think ought to scare us? What would be wrong with these people’s lives if there were no monster?

How do particular shots, scenes, cinematic elements, and/or sounds from this 1950s SF Horror cycle persist in more recent horror filmmaking? What might these discursive connections mean?

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