Description
Answer the Questions (150 WORDS EACH QUESTIONS)
1) Rashomon is clearly a product of a deeply patriarchal culture, especially in using the story of a rape the basis for a metaphysical contemplation of the unknowability of truth and reality. Does the film also contain its own skepticism about patriarchy as well?
2) At least when Cleo from 5 to 7 was made, Varda was the best known woman filmmaker in the world. What effect do you see of a feminine subjectivity at work here?
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