How does the aesthetic of the French New Wave cinema occupy existential thinking? Specifically in Breathless (1960) by Jean-Luc Godard.Explain

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How might one define the aesthetic qualities of the auteur theory?

How does the aesthetic of the French New Wave cinema occupy existential thinking? Specifically in Breathless (1960) by Jean-Luc Godard.

How do jump cuts function as an aesthetic quality within the film, Breathless
(1960) by Jean-Luc Godard?

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