What are some of the more intriguing claims he makes in regards to how filmmakers should engage with image-sound relations, and what might be some examples from the sound films (listed below) of the creative deployment of sound?
In 1929 – in the transitional period from silent to sound film – the filmmaker V.N. Pudovkin published an article (“Asynchronism as a Principle of Sound Film”) that considers the way sound might be utilized as a new expressive element in cinema. What are some of the more intriguing claims he makes in regards to […]