Encompassing a huge number of sources, topics, and discourses; scholarly studies; experiential events; works of art, literature, and visual culture ; and other media, how might the practices and products of 19C Orientalism be understood as a “labyrinth without exits?”Discuss

Although Timothy Mitchell used the term “labyrinth without exits” to refer specifically to the experiences of Egyptian visitors in Paris, we might also consider this phrase as an apt description of 19C Orientalism more generally. Encompassing a huge number of sources, topics, and discourses; scholarly studies; experiential events; works of art, literature, and visual culture ; and other media, how might the practices and products of 19C Orientalism be understood as a “labyrinth without exits?”

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