In Carrie Mae Weems’ Not Manet’s Type (1997), the artist positions herself within the context of Modernist art history. Why is Weems doing this? How does this work function as a greater commentary on cultural history more broadly?Explain

In Carrie Mae Weems’ Not Manet’s Type (1997), the artist positions herself within the context of Modernist art history. Why is Weems doing this? How does this work function as a greater commentary on cultural history more broadly?

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