In the 1960s and 1970s, Brazilian artists, cinematographers, and musicians developed a new movement they called ‘Tropicalia’, which used a mixture of folk art, popular subcultures, and drug references. What was the political reasoning behind the movement?

In the 1960s and 1970s, Brazilian artists, cinematographers, and musicians developed a new movement they called ‘Tropicalia’, which used a mixture of folk art, popular subcultures, and drug references. What was the political reasoning behind the movement?

Explain, using visual analysis of one of the Jacob Lawrence’s works , how Lawrence used Modernist visual language to express the struggles of African Americans during The Great Migration. 

Explain, using visual analysis of one of the Jacob Lawrence’s works , how Lawrence used Modernist visual language to express the struggles of African Americans during The Great Migration.

What does Frida’s inclusion into the Surrealist canon say about the perspective of most European Surrealists regarding Mexico and Mexican artists?Explain

In popular culture, Frida Kahlo is often regarded as a Surrealist. What did Frida herself say on the subject? What does Frida’s inclusion into the Surrealist canon say about the perspective of most European Surrealists regarding Mexico and Mexican artists?

Using one of the works by Amaral mentioned in our lecture, explain this tension between artistic innovation and problematic tokenism.

Brazilian painter Tarsila do Amaral was both groundbreaking in early Brazilian Modernist art and extremely problematic in the way she commodified clichés of “Brazilianness” for an audience that was mostly white and privileged. Using one of the works by Amaral mentioned in our lecture, explain this tension between artistic innovation and problematic tokenism.

In Carrie Mae Weems’ Not Manet’s Type (1997), the artist positions herself within the context of Modernist art history. Why is Weems doing this? How does this work function as a greater commentary on cultural history more broadly?Explain

In Carrie Mae Weems’ Not Manet’s Type (1997), the artist positions herself within the context of Modernist art history. Why is Weems doing this? How does this work function as a greater commentary on cultural history more broadly?

Based on your research, discuss pertinent information about your chosen artwork.

  Textbook and Course Resources: A World of Art by Henry M. Sayre, 8th edition ISBN 978-0-13-408180-9 Assignment: Art History Research The textbook, chapter guides, and Khan Academy page provide a very broad overview of art history. This assignment offers the opportunity to investigate a work of art in detail. Step 1: Select a work […]

Develop a connection between these images and the images that are in your text as well as other readings about art.

The purpose of this assignment is to acquaint you with a variety of literature available in the visual arts. This assignment includes a combination of field and bibliographic research to be summarized in a 4-6 page (a minimum of 2000 words) paper written in APA style.   Survey your neighborhood to identify 10 objects or […]

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